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Paul Simon
Paul Simon


Информация
Настоящее имя Paul Frederic Simon
Дата рождения 13 октября 1941 г.
Откуда Newark, New Jersey, United States
Жанры Rock
World music
Годы 1957—н.в.
Лейблы Columbia Records
См. также Simon & Garfunkel
Сайт Website



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Альбом Paul Simon


1964-93 (28.09.1993)
28.09.1993
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. . .


Words & music by Paul Simon

When I was a little boy, (when I was just a boy)
And the Devil would call my name (when I was just a boy)
I'd say "now who do,
Who do you think you're fooling?" (when I was just a boy)
I'm a consecrated boy (when I was just a boy)
I'm a singer in a Sunday choir
Oh , my mama loves, she loves me
She get down on her knees and hug me
Like she loves me like a rock
She rocks me like the rock of ages
And loves me
She love me, love me, love me, love me

When I was grown to be a man (grown to be a man)
And the Devil would call my name (grown to be a man)
I'd say "now who do,
Who do you think you're fooling?" (grown to be a man)
I'm a consummated man (grown to be a man)
I can snatch a little purity
My mama loves me, she loves me
She get down on her knees and hug me
Like she loves me like a rock
She rocks me like the rock of ages
And loves me
She love me, love me, love me, love me
And if I was President (was the President)
The minute Congress call my name (was the President)
I'd say "who do,
Who do you think you're fooling? (Who do you think you're fooling)

I've got the Presidential Seal (was the president)
I'm up on the Presidential Podium
My mama loves me
She loves me
She get down on her knees and hug me
Like she loves me like a rock
She rocks me like the rock of ages
And loves me

Fade out:
She love me, love me, love me, love me
(loves me like a rock)

. . .


Words & music By Paul Simon

What can I do
What can I do
Much of what you say is true
I know you see through me
But there's no tenderness
Beneath your honesty

Oh, right and wrong
Right and wrong
Ooh, never helped us get along
You say you care for me
But there's no tenderness
Beneath your honesty

You and me were such good friends
What's your hurry?
You and me could make amends
I'm not worried
I'm not worried
Oh, honesty,
oh, honesty
Ooh, it's such a waste of energy
No you don't have to lie to me
Just give me some tenderness
Beneath your honesty
You don't have to lie to me
Just give me some tenderness

. . .


Words & music by Paul Simon

When I think back
On all the crap I learned in high school
It's a wonder
I can think at all
And though my lack of education
Hasn't hurt me none
I can read the writing on the wall

Kodachrome
They give us those nice bright colors
They give us the greens of summers
Makes you think all the world's a sunny day, Oh yeah
I got a Nikon camera
I love to take a photograph
So mama don't take my Kodachrome away

If you took all the girls I knew
When I was single
And brought them all together for one night
I know they'd never match
my sweet imagination
And everything looks worse in black and white

Kodachrome
They give us those nice bright colors
They give us the greens of summers
Makes you think all the world's a sunny day, Oh yeah
I got a Nikon camera
I love to take a photograph
So mama don't take my Kodachrome away

. . .


Words & music by Paul Simon

The night was black, the roads were icy
Snow was fallin', drifts were high
And I was weary, from my driving
And I stopped to rest for a while
I sat down at a truck stop
I was thinking about my past
I've had a long streak of bad luck
But I'm praying it's gone at last

Gone, gone at last, gone at last
Gone at last, gone at last
I had a long streak of that bad luck
But I'm prayin' it's gone at last
00, oo, oo, oo, oo

I ain't dumb
I kicked around some
I don't fall too easily
But that boy looked so dejected
He just grabbed my sympathy
Sweet little soul now, what's your problem?
Tell me why you're so downcast
I've had a long streak of bad luck
But I'm praying it's gone at last

Gone, gone at last, gone at last
Gone at last, gone at last
I had a long streak of that bad luck
But I'm prayin' it's gone at last
00, oo, oo, oo, oo

Once in a while from out of nowhere
When you don't expect it, and you're unprepared
Somebody will come and lift you higher
And your burdens will be shared
Yes I do believe, if I hadn't met you
I might still be sinking fast
I've had a long streak of bad luck
But I'm praying it's gone at last

Gone, gone, gone at last
Gone at last, gone at last
I had a long streak of that bad luck
But I'm prayin' it's gone at last
Gone, gone, gone gone gone gone
Gone, gone, gone, gone, gone, gone, gone
I had a long streak of that bad luck
But I'm prayin' it's gone at last

. . .


Words & music By Paul Simon

C'mon take me to the Mardi Gras
Where the people sing and play
Where the dancing is elite
And there's music in the street
Both night and day

Hurry take me to the Mardi Gras
In the city of my dreams
You can legalize your lows
You can wear your summer clothes
In the New Orleans

And I will lay my burden down
Rest my head upon that shore
And when I wear that starry crown
I won't be wanting anymore

Take your burdens to the Mardi Gras
Let the music wash your soul
You can mingle in the street
You can jingle to the beat of the jelly roll
Tumba, tumba, tumba, Mardi Gras
Tumba, tumba, tumba, day

Mm------------

. . .


Words & music by Paul Simon

Oo, little sleepy boy
Do you know what time it is?
Well the hour of your bedtime's long been past
And though I know you're fighting it
I can tell when you rub your eyes
You're fading fast, oh fading fast

Won't you run come see St. Judy's Comet
Roll across the skies
And leave a spray of diamonds in its wake
I long to see St. Judy's Comet
Sparkle in your eyes when you awake
Oh, when you wake, wake

Little boy
Won't you lay your body down
Little boy
Won't you close your weary eyes
Ain't nothing flashing but the fireflies

Well I sang it once and I sang it twice
I'm going to sing it three times more
I'm going to stay 'til your resistance
Is overcome
'Cause if I can't sing my boy to sleep
Well it makes your famous daddy look so dumb
look so dumb

Won't you run come see St. Judy's Comet
Roll across the skies
And leave a spray of diamonds in its wake
I long to see St. Judy's Comet
Sparkle in your eyes when you awake
Oh, when you wake, wake

Little boy, little boy
Won't you lay your body down
Little boy, little boy
Won't you close your weary eyes
Ain't nothing flashing but the fireflies

Oo, little sleepy boy
Do you know what time it is?
Well the hour of your bedtime's long been past
And though I know you're fighting it
I can tell when you rub your eyes
You're fading fast, oh fading fast

. . .


Words & music By Paul Simon

You've got the cool water
When the fever runs high
You've got the look of lovelight in your eyes
And I was in crazy motion
'Til you calmed me down
It took a little time
But you calmed me down

When something goes wrong
I'm the first to admit it
I'm the first to admit it
And the last one to know

when something goes right
Well it's likely to lose me, mm
It's apt to confuse me
It's such an unusual sight
Oh, I can't, I can't get used to something so right
Something so right

They've got a wall in China
It's a thousand miles long
To keep out the foreigners they made it strong
And I've got a wall around me
That you can't even see
It took a little time
To get next to me

When something goes wrong
I'm the first to admit it
I'm the first to admit it
And the last one to know
when something goes right
Well it's likely to lose me, mm
It's apt to confuse me
because it's such an unusual sight
Oh, I can't, I can't get used to something so right
Something so right

Some people never say the words "I love you"
It's not their style
to be so bold
Some people never say the words "I love you"
But like a child they're longing to be told, mm

When something goes wrong
I'm the first to admit it
I'm the first to admit it
And the last one to know
when something goes right
Well it's likely to lose me, mm
It's apt to confuse me
because it's such an unusual sight
I swear, I can't, I can't get used to something so right
Something so right

. . .


Words & music By Paul Simon

I met my old lover
On the street last night
She seemed so glad to see me
I just smiled
And we talked about some old times
And we drank ourselves some beers
Still crazy afler all these years
Oh, still crazy after all these years

I'm not the kind of man
Who tends to socialize
I seem to lean on
Old familiar ways
And I aint no fool for love songs
That whisper in my ears
Still crazy afler all these years
Oh, still crazy after all these years

Four in the morning
Crapped out, yawning
Longing my life a--way
I'll never worry
Why should I?
It's all gonna fade

Now I sit by my window
And I watch the cars
I fear I'll do some damage
One fine day
But I would not be convicted
By a jury of my peers
Still crazy after all these years
Oh, still crazy
Still crazy
Still crazy after all these years

. . .


Words & music by Paul Simon

Yesterday it was my birthday
I hung one more year on the line
I should be depressed
My life's a mess
But I'm having a good time

Oo, I've been loving and loving and loving
I'm exhausted from loving so well
I should go to bed
But a voice in my head
Says "Ah, what the hell"

Have a good time
Have a good time
Have a good time
Have a good time

Paranoia strikes deep in the heartland
But I think it's all overdone
Exaggerating this and exaggerating that
They don't have no fun

I don't believe what I read in the papers
They're just out to capture my dime
I ain't worrying
And I ain't scurrying;
I'm having a good time

Have a good time
Have a good time
Have a good time
Have a good time

Maybe I'm laughing my way to disaster
Maybe my race has been run
Maybe I'm blind to the fate of mankind
But what can be done?
So God bless the goods we was given
And God bless the U. S. of A.
And God bless our standard of livin'
Let's keep it that way
And we'll all have a good time

Repeat and fade:
Have a good time
Have a good time
Have a good time
Have a good time

. . .


Words & music by Paul Simon

Half an hour change your strings and tune up
Sizing the room up
Checking the bar
Local girls unspoken conversation
Misinformation
Plays guitar

They say Jonah he was swallowed by a whale
But I say there's no truth to that tale
I know Jonah
He was swallowed by a song

No one gives their dreams away too lightly
They hold them tightly
Warm against cold
One more year of traveling 'round this circuit
Then you can work it into gold

They say Jonah he was swallowed by a whale
But I say there's no truth to that tale
I know Jonah
He was swallowed by a song

Here's to all the boys who came a-along
Carrying soft guitars in cardboard cases
All night long
Do you wonder where those boys have gone?
Do you wonder where those boys have gone?

. . .


Words & music by Paul Simon

In the blue light
Of the Belvedere Motel
Wondering as the television burns
How the heart approaches what it yearns

In a fever
I distinctly hear your voice
Emerging from a dream, the dream returns
How the heart approaches what it yearns

After the rain on the Interstate
Headlights slide past the moon
A bone-weary traveler
Waits by the side of the road
Where's he going?


I dream we are lying on the top of a hill
And headlights slide past the moon
I roll in your arms
And your voice is the heat of the night
I'm on fire

In a phone booth
In some local bar and grill
Rehearsing what I'll say, my coin returns
How the heart approaches what it yearns
How the heart approaches what it yearns

. . .


Words & music by Paul Simon

"The problem is all inside your head", she said to me
The answer is easy if you take it logically
I'd like to help you in your struggle to be free
There must be fifty ways to leave your lover

She said it's really not my habit to intrude
Furthermore, I hope my meaning won't be lost or misconstrued
But I'll repeat myself at the risk of being crude
There must be fifty ways to leave your lover
Fifty ways to leave your lover

Just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

Just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

She said it grieves me so to see you in such pain
I wish there was something I could do to make you smile again
I said I appreciate that and would you please explain
About the fifty ways

She said why don't we both just sleep on it tonight
And I believe in the morning you'll begin to see the light
And then she kissed me and I realized she probably was right
There must be fifty ways to leave your lover
Fifty ways to leave your lover

Just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

You just slip out the back, Jack
Make a new plan, Stan
You don't need to be coy, Roy
Just get yourself free
Hop on the bus, Gus
You don't need to discuss much
Just drop off the key, Lee
And get yourself free

. . .


Words & music by Paul Simon

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

I know a man
He came from my home town
He wore his passion for his woman
Like a thorny crown
He said Delores
I live in fear
My love for you's so overpowering
I'm afraid that I will disappear

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

I know a woman
Became a wife
These are the very words she uses
To describe her life
She said a good day
Ain't got no rain
She said a bad day's when I lie in bed
And think of things that might have been

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

And I know a fa-ther
Who had a son
He longed to tell him all the reasons
For the things he'd done
He came a long way
Just to explain
He kissed his boy as he lay sleeping
Then he turned around and headed home again

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

God only knows
God makes his plan
The information's unavailable
To the mortal man
We work our jobs
Collect our pay
Believe we're gliding down the highway
When in fact we're slip slidin' away

Slip slidin' away
Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away

Slip slidin' away
You know the nearer your destination
The more you're slip slidin' away
Mmm...

. . .


Words & music by Paul Simon

The first thing I remember
I was lying in my bed
I couldn't of been no more
Than one or two
I remember there's a radio
Comin' from the room next door
And my mother laughed
The way some ladies do
When it's late in the evening
And the music's seeping through

The next thing I remember
I am walking down the street
I'm feeling all right
I'm with my boys, I'm with my troops, yeah
And down along the avenue
Some guys were shooting pool
And I heard the sound
Of a cappella groups, yeah
Singing late in the evening
And all the girls out on the stoops, yeah

Then I learned to play some lead guitar
I was underage in this funky bar
And I stepped outside to smoke myself a "J"
And when I came back to the room
Everybody just seemed to move
And I turned my amp up loud and I began to play
And it was late in the evening
And I blew that room away

The first thing I remember
When you came into my life
I said I'm gonna get that girl
No matter what I do
Well I guess I'd been in love before
And once or twice I been on the floor
But I never loved no one
The way that I loved you
And it was late in the evening
And all the music seeping through

. . .



One and one-half wandering Jews
Free to wander wherever they choose
Are travelling together
In the Sangre de Cristo
The Blood of Christ Mountains
Of New Mexico
On the last leg of the journey
They started a long time ago
The arc of a love affair
Rainbows in the high desert air
Mountain passes slipping into stones
Hearts and bones
Hearts and bones
Hearts and bones
Thinking back to the season before
Looking back through the cracks in the door
Two people were married
The act was outrageous
The bride was contagious
She burned like a bride
These events may have had some effect
On the man with the girl by his side
The arc of a love affair
His hands rolling down her hair
Love like lightning shaking till it moans
Hearts and bones
Hearts and bones
Hearts and bones
And whoa whoa whoa
She said why?
Why don't we drive through the night
And we'll wake up down in Mexico
Oh I
I don't know nothin' about nothin'
About Mexico
And tell me why
Why won't you love me
For who I am
Where I am
He said:
'Cause that's not the way the world is baby
This is how I love you, baby
This is how I love you, baby
One and one-half wandering Jews
Returned to their natural coasts
To resume old acquaintances
Step out occasionally
And speculate who had been damaged the most
Easy time will determine if these consolations
Will be their reward
The arc of a love affair
Waiting to be restored
You take two bodies and you twirl them into one
Their hearts and their bones
And they won't come undone
Hearts and bones
Hearts and bones
Hearts and bones
Hearts and bones

. . .


Words & music by Paul Simon

Rene and Georgette Magritte
With their dog after the war
Returned to their hotel suite
And they unlocked the door
Easily losing their evening clothes
They danced by the light of the moon
To the Penguins, the Moonglows
The Orioles, and The Five Satins
The deep forbidden music
They'd been longing for
Rene and Georgette Magritte
With their dog after the war

Rene and Georgette Magritte
With their dog after the war
Were strolling down Christopher Street
When they stopped in a men's store
With all of the mannequins dressed in the style
That brought tears to their immigrant eyes
Just like The Penguins, the Moonglows
The Orioles, and The Five Satins
The easy stream of laughter
Flowing through the air
Rene and Georgette Magritte
With their dog apres la guerre
Side by side
They fell asleep
Decades gliding by like Indians
Time is cheap
When they wake up they will find
All their personal belongings
Have intertwined
Oh Rene and Georgette Magritte
With their dog after the war
Were dining with the power elite
And they looked in their bedroom drawer
And what do you think
They have hidden away
In the cabinet cold of their hearts?
The Penguins, the Moonglows
The Orioles, and The Five Satins
For now and ever after
As it was before
Rene and Georgette Magritte
With their dog after the war

. . .


Words & music by Paul Simon

I was reading a magazine
And thinking of a rock and roll song
The year was nineteen fiftyfour
And I hadn't been playing that long
When a man came on the radio
And this is what he said
He said I hate to break it to his fans
But Johnny Ace is dead, yeah, yeah, yeah

Well, I really wasn't
Such a Johnny Ace fan
But I felt bad all the same
So I sent away for his photograph
And I waited till it came
It came all the way from Texas
With a sad and simple face
And they signed it on the bottom
From the Late Great Johnny Ace, yeah, yeah, yeah

It was the year of The Beatles
It was the year of The Stones
It was nineteen sixtyfour
I was living in London
With the girl from the summer be-fore

It was the year of The Beatles
It was the year of The Stones
A year after J.F.K.
We were staying up all night
And giving the days away
And the music was flowing amazing
And blowing my way

On a cold December evening
I was walking through the Christmas tide
When a stranger came up and asked me
If I'd heard John Lennon had died
And the two of us went to this bar
And we stayed to close the place
And every song we played
Was for The Late Great Johnny Ace, yeah, yeah, yeah

. . .



It was a slow day
And the sun was beating
On the soldiers by the side of the road
There was a bright light
A shattering of shop windows
The bomb in the baby carriage
Was wired to the radio
These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That's dying in a corner of the sky
Therse are the days of miracle and wonder
And don't cry baby, don't cry
Don't cry

It was a dry wind
And it swept across the desert
And it curled into the circle of birth
And the dead sand
Falling on the children
The mothers and the fathers
And the automatic earth
These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That's dying in a corner of the sky
Therse are the days of miracle and wonder
And don't cry baby, don't cry
Don't cry

It's a turn-around jump shot
It's everybody jump start
It's every generation throws a hero up the pop charts
Medicine is magical and magical is art
The Boy in the Bubble
And the baby with the baboon heart

And I believe
These are the days of lasers in the jungle
Lasers in the jungle somewhere
Staccato signals of constant information
A loose affiliation of millionaires
And billionaires and baby
These are the days of miracle and wonder
This is the long distance call
The way the camera follows us in slo-mo
The way we look to us all
The way we look to a distant constellation
That's dying in a corner of the sky
Therse are the days of miracle and wonder
And don't cry baby, don't cry
Don't cry

. . .



The Mississippi Delta was shining
Like a National guitar
I am following the river
Down the highway
Through the cradle of the civil war
I'm going to Graceland
Graceland
In Memphis Tennessee
I'm going to Graceland
Poorboys and Pilgrims with families
And we are going to Graceland
My traveling companion is nine years old
He is the child of my first marriage
But I've reason to believe
We both will be received
In Graceland

She comes back to tell me she's gone
As if I didn't know that
As if I didn't know my own bed
As if I'd never noticed
The way she brushed her hair from her forehead
And she said losing love
Is like a window in your heart
Everybody sees you're blown apart
Everybody sees the wind blow

I'm going to Graceland
Memphis Tennessee
I'm going to Graceland
Poorboys and Pilgrims with families
And we are going to Graceland

And my traveling companions
Are ghosts and empty sockets
I'm looking at ghosts and empties
But I've reason to believe
We all will be received
In Graceland

There is a girl in New York City
Who calls herself the human trampoline
And sometimes when I'm falling, flying
Or tumbling in turmoil I say
Oh, so this is what she means
She means we're bouncing into Graceland
And I see losing love
Is like a window in your heart
Everybody sees you're blown apart
Everybody sees the wind blow

In Graceland, in Graceland
I'm going to Graceland
For reasons I cannot explain
There's some part of me wants to see
Graceland
And I may be obliged to defend
Every love, every ending
Or maybe there's no obligations now
Maybe I've a reason to believe
We all will be received
In Graceland

. . .



Joseph's face was black as night
The pale yellow moon shone in his eyes
His path was marked
By the stars in the Southern Hemisphere
And he walked his days
Under African skies
This is the story of how we begin to remember
This is the powerful pulsing of love in the vein
After the dream of falling and calling your name out
These are the roots of rhythm
And the roots of rhythm remain

In early memory
Mission music
Was ringing 'round my nursery door
I said take this child, Lord
From Tucson Arizona
Give her the wings to fly through harmony
And she won't bother you no more

This is the story of how we begin to remember
This is the powerful pulsing of love in the vein
After the dream of falling and calling your name out
These are the roots of rhythm
And the roots of rhythm remain

Joseph's face was black as night
And the pale yellow moon shone in his eyes
His path was marked
By the stars in the Southern Hemisphere
And he walked the length of his days
Under African skies

. . .



A long time ago, yeah
Before you was born dude
When I was still single
And life was great
I held this job as a traveling salesman
That kept me moving from state to state
Well, I'm standing on the corner of Lafayette
State of Louisiana
Wondering where a city boy could go
To get a little conversation
Drink a little red wine
Catch a little bit of those Cajun girls
Dancing to Zydeco

Along come a young girl
She's pretty as a prayerbook
Sweet as an apple on Christmas day
I said good gracious can this be my luck
If that's my prayerbook
Lord let us pray

Well, I'm standing on the corner of Lafayette
State of Louisiana
Wondering where a city boy could go
To get her in a conversation
Drink a little red wine
Dance to the music of Clifton Chenier
The King of the Bayou

Well, that was your mother
And that was your father
Before you was born dude
When life was great
You are the burden of my generation
I sure do love you
But let's get that straight

Well, I'm standing on the corner of Lafayette
Across the street from The Public
Heading down to the Lone Star Cafe
Maybe get a little conversation
Drink a little red wine
Standing in the shadow of Clifton Chenier
Dancing the night away

. . .



(a-wa) O kodwa u zo-nge li-sa namhlange
(a-wa a-wa) Si-bona kwenze ka kanjani
(a-wa a-wa) Amanto mbazane ayeza
She's a rich girl
She don't try to hide it
Diamonds on the soles of her shoes

He's a poor boy
Empty as a pocket
Empty as a pocket with nothing to lose
Sing Ta na na
Ta na na na
She got diamonds on the soles of her shoes
She got diamonds on the soles of her shoes
Diamonds on the soles of her shoes
Diamonds on the soles of her shoes

People say she's crazy
She got diamonds on the soles of her shoes
Well that's one way to lose these
Walking blues
Diamonds on the soles of her shoes

She was physically forgotten
Then she slipped into my pocket
With my car keys
She said you've taken me for granted
Because I please you
Wearing these diamonds

And I could say Oo oo oo
As if everybody knows
What I'm talking about
As if everybody would know
Exactly what I was talking about
Talking about diamonds on the soles of her shoes

She makes the sign of a teaspoon
He makes the sign of a wave
The poor boy changes clothes
And puts on after-shave
To compensate for his ordinary shoes

And she said honey take me dancing
But they ended up by sleeping
In a doorway
By the bodegas and the lights on
Upper Broadway
Wearing diamonds on the soles of their shoes

And I could say Oo oo oo
As if everybody here would know
What I was talking about
I mean everybody here would know exactly
What I was talking about
Talking about diamonds

People say I'm crazy
I got diamonds on the soles of my shoes
Well that's one way to lose
These walking blues
Diamonds on the soles of your shoes

. . .



A man walks down the street
He says why am I soft in the middle now
Why am I soft in the middle
The rest of my life is so hard
I need a photo-opportunity
I want a shot at redemption
Don't want to end up a cartoon
In a cartoon graveyard
Bonedigger Bonedigger
Dogs in the moonlight
Far away my well-lit door
Mr. Beerbelly Beerbelly
Get these mutts away from me
You know I don't find this stuff amusing anymore
If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty when you call me
You can call me Al

A man walks down the street
He says why am I short of attention
Got a short little span of attention
And wo my nights are so long
Where's my wife and family
What if I die here
Who'll be my role-model
Now that my role-model is
Gone Gone
He ducked back down the alley
With some roly-poly little bat-faced girl
All along along
There were incidents and accidents
There were hints and allegations

If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty when you call me
You can call me Al
Call me Al

A man walks down the street
It's a street in a strange world
Maybe it's the Third World
Maybe it's his first time around
He doesn't speak the language
He holds no currency
He is a foreign man
He is surrounded by the sound
The sound
Cattle in the marketplace
Scatterlings and orphanages
He looks around, around
He sees angels in the architecture
Spinning in infinity
He says Amen! and Hallelujah!

If you'll be my bodyguard
I can be your long lost pal
I can call you Betty
And Betty when you call me
You can call me Al
Call me Al

. . .



Emaweni webaba
Silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni
Webaba silale maweni

Homeless, homeless
Moonlight sleeping on a midnight lake
Homeless, homeless
Moonlight sleeping on a midnight lake
We are homeless, we are homeless
The moonlight sleeping on a midnight lake
And we are homeless, homeless, homeless
The moonlight sleeping on a midnight lake

Zio yami, zio yami, nhliziyo yami
Nhliziyo yami amakhaza asengi bulele
Nhliziyo yami, nhliziyo yami
Nhliziyo yami, angibulele amakhaza
Nhliziyo yami, nhliziyo yami
Nhliziyo yami somandla angibulele mama
Zio yami, nhliziyo yami
Nhliziyo yami, nhliziyo yami

Too loo loo, too loo loo
Too loo loo loo loo loo loo loo loo loo
Too loo loo, too loo loo
Too loo loo loo loo loo loo loo loo loo

Strong wind destroy our home
Many dead, tonight it could be you
Strong wind, strong wind
Many dead, tonight it could be you

And we are homeless, homeless
Moonlight sleeping on a midnight lake
Homeless, homeless
Moonlight sleeping on a midnight lake
Homeless, homeless
Moonlight sleeping on a midnight lake

Somebody say ih hih ih hih ih
Somebody sing hello, hello, hello
Somebody say ih hih ih hih ih
Somebody cry why, why, why?
Somebody say ih hih ih hih ih
Somebody sing hello, hello, hello
Somebody say ih hih ih hih ih
Somebody cry why, why, why?
Somebody say ih hih ih hih ih

Yitho omanqoba (ih hih ih hih ih) yitho omanqoba
Esanqoba lonke ilizwe
(ih hih ih hih ih) Yitho omanqoba (ih hih ih hih ih)
Esanqoba phakathi e England
Yitho omanqoba
Esanqoba phakathi e London
Yitho omanqoba
Esanqoba phakathi e England

Somebody say ih hih ih hih ih
Somebody sing hello, hello, hello
Somebody say ih hih ih hih ih
Somebody cry why, why, why?
Somebody say ih hih ih hih ih
Somebody sing hello, hello, hello
Somebody say ih hih ih hih ih
Somebody cry why, why, why?

Kuluman
Kulumani, Kulumani sizwe
Singenze njani
Baya jabula abasi thanda yo
Ho

. . .



We sailed up a river wide as a sea
And slept on the banks
On the leaves of a banyan tree
And all of these spirit voices rule the night

Some stories are magical, meant to be sung
Song from the mouth of the river
When the world was young
And all of these spirit voices rule the night

By moon
We walk
To the brujo's door
Along a path of river stone
Women with their nursing children
Seated on the floor
We join the fevers
And the broken bones

The candlelight flickers
The falcon calls
A lime-green lizard scuttles down the cabin wall
And all of these spirit voices
Sing rainwater, sea water
River water, holy water
Wrap this child in mercy - heal her
Heaven's only daughter
All of these spirit voices rule the night
My hands were numb
My feet were lead
I drank a cup of herbal brew
Then the sweetness in the air
Combined with the lightness in my head
And I heard the jungle breathing in the bamboo

Saudac~oes            Greetings!
D'a lic'enca um momento        Excuse me, one moment
Te lembr'o            I remind you
Que amanh~a            That tomorrow
Ser'a tudo ou ser'a naoa    It will be all or it will
                be nothing
Depende, cora,c~ao        It depends, heart
Ser'a breve ou ser'a grande    It will be brief or it will
                be great
Depende da paix~ao        It depends on the passion
Ser'a sujo, ser'a sonho        It will be dirty, it will
                be a dream
Cuidado, cora,c~ao        Be careful, heart
Ser'a 'util, ser'a tarde    It will be useful, it will be
                late
Se esmera, cora,c~ao        Do your best, heart
E confia            And have trust
Na for,ca do amanh~a        In the power of tomorrow

Lord of the earthquake
My trembling bed
The spider resumes the rhythm
Of his golden thread
And all of these spirit voices rule the night


. . .



I'm accustomed to a smooth ride
Or maybe I'm a dog who's lost its bite
I don't expect to be treated like a fool no more
I don't expect to sleep through the night
Some people say a lie's a lie's a lie
But I say why
Why deny the obvious child?
Why deny the obvious child?

And in remembering a road sign
I am remembering a girl when I was young
And we said These songs are true
These days are ours
These tears are free
And hey
The cross is in the ballpark
The cross is in the ballpark

We had a lot of fun
We had a lot of money
We had a little son and we thought we'd call him Sonny
Sonny gets married and moves away
Sonny has a baby and bills to pay
Sonny gets sunnier
Day by day by day by day

I've been waking up at sunrise
I've been following the light across my room
I watch the night receive the room of my day
Some people say the sky is just the sky
But I say
Why deny the obvious child?
Why deny the obvious child?

Sonny sits by his window and thinks to himself
How it's strange that some rooms are like cages
Sonny's yearbook from high school
Is down from the shelf
And he idly thumbs through the pages
Some have died
Some have fled from themselves
Or struggled from here to get there
Sonny wanders beyond his interior walls
Runs his hand through his thinning brown hair

Well I'm accustomed to a smoother ride
Maybe I'm a dog that's lost his bite
I don't expect to be treated like a fool no more
I don't expect to sleep the night
Some people say a lie is just a lie
But I say the cross is in the ballpark
Why deny the obvious child?

. . .



I can't run but
I can walk much faster than this
Can't run but
I can't run but
I can walk much faster than this
Can't run but

A cooling system
Burns out in the Ukraine
Trees and umbrellas
Protect us from the new rain
Armies of engineers
To analyze the soil
The food we contemplate
The water that we boil

I can't run but
I can walk much faster than this
Can't run but
I can't run but
I can walk much faster than this
Can't run but
Oo-we Oo-we

I had a dream about us
In the bottles and the bones of the night
I felt a pain in my shoulder blade
Like a pencil point? A love bite?
A couple was rubbing against us
Rubbing and doing that new dance
The man was wearing a jacket and jeans
The woman was laughing in advance

I can't run but
I can walk much faster than this
Can't run but
I can't run but
I can walk much faster than this
Can't run but

A winding river
Gets wound around a heart. Pull it
Tighter and tighter
Until the muddy waters part
Down by the river bank
A blues band arrives
The music suffers
The music business thrives

I can't run but
I can walk much faster than this
Can't run but
I can't run but
I can walk much faster than this
Can't run but
Oo-we Oo-we

. . .



If a feeling's born and no one complains
Well that's good luck
running through young veins
And if life is a blessing
that brushes the tops of the trees
Well it's a short walk
in a sweet breeze

I will need you, feed you, seed you, plead with you
All for the taste of your sweet love Thelma
If a heart is an open memory book
That was the chance I took
The more I searched, the more shook with Thelma
Last night I slept on a rented pillow
A silver moon above my head
A thirsty dreamless sleep released me
And I reached for the phone
by the side of the bed

Now the first time that I saw you I thought
"She's beautiful, but she's too young to be caught"
People aware of my history
Trying to steer you away from me
I left a message at your hotel
Don't let management poison the well

I will need you, feed you, seed you, plead with you
All for the taste of your sweet love Thelma

The phone is ringing and I realize
we are timezones and oceans apart
The words I speak in the middle of my night
They fall on your yesterday scars

If the sun don't shine, the wind don't break
the clock don't jump off the wall
Thelma, my darling, I will cushion your fall
I will need you, feed you, seed you, plead with you
Without the taste of your sweet love Thelma

I am only a man who has skirted the edge of despair
for a long time now, and I don't care

I watch you sleeping a the hospital bed
The baby curled up in a ball
Winter sunlight hits the family tree
And everything else becomes nothing at all

. . .



There may come a time
When you'll be tired
As tired as a dream that wants to die
And further to fly
Further to fly
Further to fly
Further to fly

Maybe you will find a love
That you discover accidentally
Who falls against you gently
As a pickpocket
Brushes your thigh
Further to fly

Effortless music from the Cameroons
The spinning darkness of her hair
A conversation in a crowded room going nowhere
The open palm of desire
Wants everything
It wants everything
It wants everything

Sometimes I'll be walking down
The street and I'll be thinking
Am I crazy
Or is this some morbid little lie
Further to fly
Further to fly
Further to fly

A recent loss of memory
A shadow in the family
The baby waves bye-bye
I'm trying, I'm flying

There may come a time
When I will lose you
Lose you as I lose my light
Days falling backward into velvet night
The open palm of desire
Wants everything
It wants everything
It wants soil as soft as summer
And the strength to push like spring

A broken laugh a broken fever
Take it up with the great deceiver
Who looks you in the eye
And says baby don't cry
Further to fly

There may come a time
When I will lose you
Lose you as I lose my sight
Days falling backward into velvet night
The open palm of desire
The rose of Jericho
Soil as soft as summer
The strength to let you go

. . .



I feel good
It's a fine day
The way the sun hits off the runway
A cloud shifts
The plane lifts
She moves on

But feel the bite
Whenever you believe that
You'll be lost and love will find you
When the road bends
And the song ends
She moves on

I know the reason I
Feel so blessed
My heart still splashes
Inside my chest, but she
She is like a top
She cannot stop
She moves on

A sympathetic stranger
Lights a candle in the middle of the night
Her voice cracks
She jumps back
But she moves on

She says ''Ooh my storybook lover
You have underestimated my power
As you shortly will discover''

The I fall to my knees
Shake a rattle at the skies
I'm afraid that I'll be taken
Abandoned, forsaken
In her cold coffee eyes

She can't sleep now
The moon is red
She fights a fever
She burns in bed
She needs to talk so
We take a walk
Down in the maroon light

She says ''Maybe these emotions are
As near to love as love will ever be''
So I agree

Then the moon breaks
She takes the corner that's all she takes
She moves on

She says ''Ooh my storybook lover
You have underestimated my power
As you shortly will discover''

Then I fall to my knees
I grow weak, I go slack
As if she captured the breath of my
voice in a bottle
And I can't catch it back

But I feel good
It's a fine day
The way the sun hits off the runway
A cloud shifts
The plane lifts
She moves on

. . .



Down among the reeds and rushes
A baby boy was found
His eyes as clear as centuries
His silky hair was brown

Never been lonely
Never been lied to
Never had to scuffle in fear
Nothing denied to
Born at the instant
The church bells chime
And the whole world whispering
Born at the right time

Me and my buddies we are travelling people
We like to go down to restaurant row
Spend those Euro-dollars
All the way from Washington to Tokyo
I see them in the airport lounge
Upon their mother's breast
They follow me with open eyes
Their uninvited guest

Never been lonely
Never been lied to
Never had to scuffle in fear
Nothing denied to
Born at the instant
The church bells chime
And the whole world whispering
Born at the right time

Too many people on the bus from the airport
Too many holes in the crust of the earth
The planet groans
Every time it registers another birth

But among the reeds and rushes
A baby girl was found
Her eyes as clear as centuries
Her silky hair was brown

Never been lonely
Never been lied to
Never had to scuffle in fear
Nothing denied to
Born at the instant
The church bells chime
And the whole world whispering
Born at the right time

. . .



Moves like a fist through the traffic
Anger and no one can heal it
Shoves a little bump into the momentum
It's just a little lump
But you feel it
In the creases and the shadows
With a rattling deep emotion
The cool, cool river
Sweeps the wild, white ocean

Yes Boss. The government handshake
Yes Boss. The crusher of language
Yes Boss. Mr. Stillwater,
The face at the edge of the banquet
The cool, the cool river
The cool, the cool river

I believe in the future
I may live in my car
My radio tuned to
The voice of a star
Song dogs barking at the break of dawn
Lightning pushes the edge of a thunderstorm
And these old hopes and fears
Still at my side

Anger and no one can heal it
Slides through the metal detector
Lives like a mole in a motel
A slide in a slide projector
The cool, cool river
Sweeps the wild, white ocean
The rage of love turns inward
To prayers of devotion
And these prayers are
The constant road across the wilderness
These prayers are
These prayers are the memory of God
The memory of God

And I believe in the future
We shall suffer no more
Maybe not in my lifetime
But in yours I feel sure
Song dogs barking at the break of dawn
Lightning pushes the edges of a thunderstorm
And these streets
Quiet as a sleeping army
Send their battered dreams to heaven, to heaven
For the mother's restless son
Who is a witness to, who is a warrior
Who denies his urge to break and run

Who says: Hard times?
I'm used to them
The speeding planet burns
I'm used to that
My life's so common it disappears
And sometimes even music
Cannot substitute for tears


. . .


Hello darkness, my old friend,
I've come to talk with you again,
Because a vision softly creeping,
Left its seeds while I was sleeping,
And the vision that was planted in my brain
Still remains
Within the sound of silence.
In restless dreams I walked alone
Narrow streets of cobblestone,
'Neath the halo of a street lamp,
I turned my collar to the cold and damp
When my eyes were stabbed by the flash of a neon light
That split the night
And touched the sound of silence.

And in the naked light I saw
Ten thousand people, maybe more.
People talking without speaking,
People hearing without listening,
People writing songs that voices never share
And no one dare
Disturb the sound of silence.

"Fools" said I, "You do not know
Silence like a cancer grows.
Hear my words that I might teach you,
Take my arms that I might reach you."
But my words like silent raindrops fell,
And echoed
In the wells of silence

And the people bowed and prayed
To the neon god they made.
And the sign flashed out its warning,
In the words that it was forming.
And the sign said, "The words of the prophets

are written on the subway walls
And tenement halls."
And whisper'd in the sounds of silence.


. . .


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