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George Strait
George Strait


Информация
Настоящее имя George Harvey Strait
Дата рождения 18 мая 1952 г.
Откуда Poteet, Texas
Жанры Country
Годы 1975—н.в.
Лейблы Universal
MCA Records
См. также Ace in the Hole
Dean Dillon
Alan Jackson
Patty Loveless
Lee Ann Womack
Jamey Johnson
Mindy McCready
Сайт Website



Альбом George Strait


Somewhere Down In Texas (28.06.2005)
28.06.2005
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. . .



Let's turn the lights down soft and low
And watch the fire embers glow
Let's lock the world outside the door
This is the night we've been waiting for

The moon is shining through the window pane
I hear the echo of a passing train
Taking someone's lover far away
But in your arms is where I wanna stay

Tonight I'm the luckiest man in the world
Wrapped in the arms of a beautiful girl
And now that I've found you
I'm never gonna let you go

Let your hair fall across your breast
Show me the warmth of your soft caress
The music's playin' soft and slow
We're driftin' into the afterglow

Tonight I'm the luckiest man in the world
Wrapped in the arms of a beautiful girl
And now that I've found you
I'm never gonna let you go

I'm never gonna let you go

I'm never gonna let you go


. . .


Written by Charlie Black, Dana Hunt and Tim Rouillier

I been on the road now dang near all my life:
An' I do love to sing a song.
I can say I've worked hard, put in my time:
Now it's time to go home.
And catch up on my chores:
Watch the sunset from my porch.

I'll be somewhere down in Texas if you're lookin' for me,
Drinkin' in that great wide-open: soakin' up the summer breeze.
Kickin' back an' settled in with my family.
I'll be somewhere down in Texas if you're lookin' for me.

That's where I got started, where I was born an' bred:
It's the fire inside of me.
I couldn't have imagined this Texas highway led,
Far beyond my wildest dreams.
But I'll turn out the lights tonight,
An' say goodnight, but not goodbye.

I'll be somewhere down in Texas if you're lookin' for me,
Drinkin' in that great wide-open: soakin' up the summer breeze.
Kickin' back an' settled in with my family.
I'll be somewhere down in Texas if you're lookin' for me.

Instrumental Break.

I made so many friends,
Hope we meet someday again:
Till then:

I'll be somewhere down in Texas if you're lookin' for me,
Drinkin' in that great wide-open: soakin' up the summer breeze.
Kickin' back an' settled in with my family.

. . .


Written by Merle Haggard

I left, out of Tucson, with no destination in mind.
I was runnin' from trouble and the jail-term the Judge had in mind.
And the border meant freedom, a new life, romance,
And that's why I thought I should go,
And start my life over on the seashores of old Mexico.

My first night in Juarez, lost all the money I had.
One bad senorita made use of one innocent lad.
But I must keep on runnin'; it's too late to turn back:
I'm wanted in Tucson, I'm told.
Yeah, an' things'll blow over on the seashores of old Mexico.

Two Mexican farmers en route to a town I can't say,
Let me ride on the back of a flatbed half-loaded with hay.
Down through Durango, Colima, Almiera,
Then in the Manzanillos,
Where I slept on the seashores of old Mexico.

After one long siesta, I came wide awake in the night.
I was startled by someone who shadowed the pale moonlight.
My new-found companion, one young senorita,
Who offered a broken hello,
To the gringo she found on the seashores of old Mexico.

She spoke of Sonora and swore that she'd never return,
For her Mexican husband, she really had no great concern.
'Cause she loved the gringo, my red hair and lingo:
That's all I needed to know.
Yeah, I found what I needed on the seashores of old Mexico.

Yeah, she loved the gringo, my red hair and lingo:
That's all I needed to know, ha, ha.
Yeah, I found what I needed on the seashores of old Mexico.


. . .


Written by Cory Mayo

Well, hope is an anchor and love is a ship:
Time is the ocean an' life is a trip.
You don't know where you're goin' till you know where you're at,
And if you can't read the stars, well, you better have a map:
A compass and a conscience so you don't get lost at sea,
Around some old lonely island where no one wants to be.

From the beginning of creation, I think our Maker had plan,
For us to leave these shores and sail beyond the sand.
An' let the Good Light guide us through the waves and the wind,
To the beaches in a world where we have never been.
And we'll climb up on the mountain, y'all: we'll let our voices ring,
When those who've never tried it, they'll be the first to sing.

Whoa, my, my:
I'll see you on the other side if I make it.
And it might be a long hard ride but I'm gonna take it.
Sometimes it seems that I don't have a prayer:
I let the weather take me anywhere,
But I know that I wanna go where the streets are gold,
'Cause you'll be there.
Oh, my, my.

Well, you don't bring nothin' with you here and you can't take nothin' back.
I ain't never seen a hearse with a luggage rack.
So I've torn my knees up prayin', scarred my back from fallin' down.
Spent so much time flyin' high, till I'm face first in the ground.
So if you're up there watchin' me, would you talk to God and say:
Tell him I might need a hand to see you both some day.

Oh, my, my:
So I'll see you on the other side if I make it.
And it might be a long hard ride but I wanna take it.
Sometimes it seems that I don't have a prayer:
I let the weather take me anywhere,
But I know that I wanna go where the streets are gold,
'Cause you'll be there. (You'll be there.)
Oh, my, my.
'Cause you'll be there. (You'll be there.)

. . .


Written by Tim Rouillier and Leslie Winn Satcher

I been watchin' you watchin' her watchin' herself in the mirror,
In her tailor-made dress an' her long blonde hair,
An' her big diamond rings: her custom-made shoes.
And I can by the look on your face that you're makin' your move,
But she hasn't got time for a man who's tongue-tied.
An' she doesn't like cowboys an' thinks less of fools.

So, boy, don't you saddle yourself to a high-tone woman.
She'll cut up your heart like an' old credit card,
When the fun and the money runs out.
I've never seen an uptown, well-read thorougbred,
High-tone woman sink as low as you.

Instrumental break.

Hey, I'm on your side; don't go gettin' me wrong, now:
You're not a bad fellow at all.
But you're out of her league so stay in the bleachers:
Son, you couldn't please her if you had it all.

So, boy, don't you saddle yourself to a high-tone woman.
She'll cut up your heart like an' old credit card,
When the fun and the money runs out.

You're a fool if you saddle yourself to a high-tone woman. (I seen her.)
I've seen her cut up a heart like an' old credit card,
When the fun and the money runs out.
I've never seen an uptown, well-read thorougbred,
High-tone woman sink as low as you.

Oh no, I've never seen an uptown, well-read thorougbred,

. . .


w/ Lee Ann Womack
Written by Dean Dillon, Dale Dodson and Lee Ann Womack

I've got some good news, can't wait to tell you.
I realised I missed you, since we've been apart.
I just needed time,
To make up my mind,
But I'm in love with you with all my heart.
I've got some good news.

I got some bad news, I don't know how to break to you.
I found someone new since we been apart.
I had too much time,
An' he took you off my mind,
An' I'm in love with him with all of my heart.
I got some bad news.

Instrumental break.

An' I guess all is fair in love an' war:
Someone wins,
But someone wins more.
You never know what time will do.
All I know is I've got some good news.

. . .


Written by Buddy Brock, Monty Holmes and Jeff Silvey

I woke up this mornin',
Peaked out my door:
It was rainin', cold an' grey.
It's my one day off: I was gonna play golf.
There goes the plans that I made.
Oh, but you won't hear me complain.

An' oh, what a perfect day for lovin' you.
When you're in my arms, I've got sunshine,
An' the sky's always blue.
Couldn't ask for better weather,
To do what I do:
Oh, what a perfect day for lovin' you.

Instrumental break.

So let's go grab a blanket,
An' a hot cup of coffee,
And sit out on the front porch and swing.
That look in your eyes is what's on my mind:
We don't have to say anything.
Let's just listen to that old tin roof sing.

An' oh, what a perfect day for lovin' you.
When you're in my arms, I've got sunshine,
An' the sky's always blue.
Couldn't ask for better weather,
To do what I do:
Oh, what a perfect day for lovin' you.
Oh, what a perfect day for lovin' you.

. . .


Written by Jones and White

There wouldn't be no Alamo,
No Cowboys in the Superbowl:
No "Lonesome Dove", no "Yellow Rose",
If it wasn't for Texas.

I wouldn't be a Willie fan.
Nobody'd swim the Rio Grande.
I wouldn't be an American,
If it wasn't for Texas.

Fort Worth would never cross my mind,
An' there'd be no Austim City limits sign.
No Lonestar of any kind.
If it wasn't for Texas.

Instrumental break.

I'd never've gone to Tennessee,
To sing my songs an' chase my dreams.
Only Heaven knows just where I'd be,
If it wasn't for Texas.

Fort Worth would never cross my mind.
There'd be no Austin City limits sign.
An' no Lonestar of any kind.
If it wasn't for Texas.

It made me the man I am:
Thank God for my old stompin' ground.
I wouldn't be standin' right here, right now,
If it wasn't for Texas.
If it wasn't for Texas.

. . .


Written by Clint Daniels and Tony Martin

I know the end is near:
I've seen the warning signs.
Been preparin' myself,
Layin' in supplies.
I bought a case of Jack,
A boxed-set of Merle:
I'm gettin' ready,
Ready for the end of the world.

I'm gettin' ready for the end to come:
That final hour it all comes undone.
An' she drops the bomb:
An' says he ain't my girl.
I'm gettin' ready,
Ready for the end of the world.

Instrumental break.

My neon shelter waits,
Where I can go to hide.
While the memories burn,
I'll be safe inside.
With the honky-tonk few,
Bracin' for the worst:
I'm gettin' ready,
Ready for the end of the world.

I'm gettin' ready for the end to come:
That final hour it all comes undone.
An' she drops the bomb:
An' says he ain't my girl.
I'm gettin' ready,
Ready for the end of the world.

Yeah, I'll be ready:

. . .


Written by Dean Dillon and Kerry Kurt Phil

He wondered how she'd take it when he said goodbye.
Thought she might do some cryin': lose some sleep at night.
But he had no idea, when he hit the road,
That without him in her life, she'd let herself go.

Let herself go on a singles cruise,
To Vegas once, then to Honolulu.
Let herself go to New York City:
A week at the Spa; came back knocked-out pretty.
When he said he didn't love her no more,
She let herself go.

Instrumental break.

She poured her heart an' soul into their three-bedroom ranch.
Spent her days raisin' babies, ironin' his pants.
Came home one day from the grocery store and found his note,
And without him there to stop her, she let herself go.

Let herself go on her first blind-date:
Had the time of her life with some friends at the lake.
Let herself go, buy a brand new car,
Drove down to the beach he always said was too far.
Sand sure felt good between her toes:

She let herself go on a singles cruise,
To Vegas once, then to Honolulu.
Let herself go to New York City:
A week at the Spa; came back knocked-out pretty.
When he said he didn't love her no more,
She let herself go.

To Vegas once: Honolulu, New York City.
Came back knocked-out pretty.


. . .


Written by James Aldridge and Michael White

Oh, I've been stumblin' through the darkness,
Tryin' to feel the ground beneath my feet.
Afraid of movin' much in any direction:
Stuck where the past and the future meet.

But I fin'lly got my first good look:
A little fire was all it too.
An' as the flames grew brighter,
I saw everything that I'd missed.
Once you get your courage up,
You light a match an' your eyes adjust:
It's amazing what a man can see,
By the light of a burnin' bridge.

An' there were things I saw that I'm not proud of.
Things that I'd do diff'rent now from then.
But when I really make myself get honest,
It's over and I can't go back again.

'Cause I fin'lly got my first good look:
A little fire was all it took.
An' as the flames grew brighter,
I saw everything that I'd missed.
Once you get your courage up,
You light a match an' your eyes adjust:
It's amazing what a man can see,
By the light of a burnin' bridge.

Instrumental break.

It sure is hard to let go and to leave the past behind,
But there ain't no other way that you can find some peace of mind.

When I fin'lly got my first good look:
A little fire was all it took.
An' as the flames grew brighter,
I saw everything that I'd missed.
Once you get your courage up,
You light a match an' your eyes adjust:
It's amazing what a man can see,
By the light of a burnin' bridge.
It's amazing what a man can see,

. . .


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